Artist: Autechre: mp3 download Genre(s): Electronic Other Industrial Techno Rock: Electronic Alternative Discography: Untilted Year: 2005 Tracks: 8 surripere_ incl darkarma's heavy blotter mix CDR Year: 2004 Tracks: 1 Radiomix Year: 2004 Tracks: 2 Live On The Breezeblock 01-04-2003 Year: 2003 Tracks: 1 Draft 7.30 Year: 2003 Tracks: 10 Breezeblock Live 31-03-03 Year: 2003 Tracks: 1 Gantz Graf Year: 2002 Tracks: 3 Splitrmx12 Year: 2001 Tracks: 2 Mcr Quarter (Live) Year: 2001 Tracks: 1 Live At Bowery Ballroom NYC Year: 2001 Tracks: 2 Live @ ATP Year: 2001 Tracks: 5 Lego Feet Year: 2001 Tracks: 2 Confield Year: 2001 Tracks: 10 Zeiss Contarex Year: 2000 Tracks: 2 Peel Sessions 2 Year: 2000 Tracks: 4 Live In Manchester Year: 2000 Tracks: 1 Live at Sonar Year: 2000 Tracks: 1 Live @ Coachella Year: 2000 Tracks: 1 Splitrmx [single] Year: 1999 Tracks: 2 Peel Session EP Year: 1999 Tracks: 3 Peel Session 2 Year: 1999 Tracks: 4 Peel Session Year: 1999 Tracks: 3 Mail Order Only EP Year: 1999 Tracks: 2 Ep7 Year: 1999 Tracks: 11 Ten Day Interval Year: 1998 Tracks: 2 LP5 Year: 1998 Tracks: 12 Live In New York Year: 1998 Tracks: 11 Envane [single] Year: 1997 Tracks: 4 Envane EP Year: 1997 Tracks: 4 Collaboration with Mari Hamada Year: 1997 Tracks: 1 Cichlisuite (ep) Year: 1997 Tracks: 5 CichliSuite Year: 1997 Tracks: 5 Chiastic Slide Year: 1997 Tracks: 9 We R Are Why - Are Y Are We? Year: 1996 Tracks: 2 We R Are Why - Are Y Are We (1 Year: 1996 Tracks: 2 Tri Repetae ++ Year: 1996 Tracks: 18 Tri Repetae ++ CD2 Year: 1995 Tracks: 8 Tri Repetae ++ CD1 Year: 1995 Tracks: 10 Peel Session 13.10.95 Year: 1995 Tracks: 3 Garbage (ep) Year: 1995 Tracks: 4 Garbage Year: 1995 Tracks: 4 Anvil Vapre (ep) Year: 1995 Tracks: 4 Anvil Vapre Year: 1995 Tracks: 4 Basscad EP [TVT 8717-2] Year: 1994 Tracks: 5 Basscad (ep) Year: 1994 Tracks: 5 Basscad Year: 1994 Tracks: 5 Anti (ep) Year: 1994 Tracks: 3 Amber Year: 1994 Tracks: 11 Basscadet [single] Year: 1993 Tracks: 5 (Incunabula) Year: 1993 Tracks: 11 Cavity Job [single] Year: 1991 Tracks: 2 Cavity Job Year: 1991 Tracks: 2 Unreleased Year: Tracks: 3 Live in Vancouver Year: Tracks: 1 Like Aphex Twin, Autechre ar some as close up to being techno superstars as the tenets of the genre and the limitations of its audience volition grant. Through a series of full-length plant and a smattering of EPs on Warp, Clear, and their possess Skam label, the group have systematically garnered the praise of weightlift and populace alike. Unlike many of their more club-bound colleagues, however, Autechre's Sean Booth and Rob Brown have roots deep-rooted hard in American electro, and though the more mood-based, sharply digital grain of their update crataegus oxycantha appear to talk other than, it was through early twelves tutelage Egyptian Lover's "Egyptian Empire, Egypt," Grandmaster Flash's "Scorpio," and "Pretty" Tony Butler's "Catch Some" that their combined aesthetical began to form. Stall and Brown met through a reciprocal ally, trading junked-up pause-button mixtapes of their favorite singles back and off. Happening onto some bargain-basement parallel geartrain through questionable portion, the geminate began experimenting with their have music before they were out of high school. After some calamitous experiences with a few small labels, the couple sent a tape off to Warp Records, whose early releases by Sweet Exorcist, Nightmares on Wax, and B12 were announcing a modern age in U.K.-based techno (and one that Autechre would become a key component part in). Releasing a handful of early singles through the label, Autechre's low gear stabs were poised on their debut full-length, Incunabula, as considerably as the ten-inch box-set remix EP Basscadet. Subsequent albums would strive a wider interview through stateside reissue, outset on Wax Trax!/TVT, later on Nothing (the label managed by Nine Inch Nails' Trent Reznor), and in conclusion through a stateside branch of Warp. Although stylistically stock-still, affectations for the ponderous extend beyond their name and running titles ("C/Pach," "Bronchusevenmx24") with the canonic premise of their approach being music without a whole lot of stylistic baggage but wad of DSP'ed-to-death hyper-programming -- well one of the most classifiable sounds in the existence of electronica. In addition to Autechre, Booth and Brown have released material as Gescom on their own Skam imprint and through the Clear label, most notably The Sounds of Machines Our Parents Used EP on the latter. The group possess also provided a routine of memorable remixes (a great deal times more memorable than their original material) for artists including Palmskin Productions, Slowly, Mike Ink, DJ Food, Scorn, Skinny Puppy, Tortoise, Phoenecia, and Various Artists. |
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